Autumn colours at Stourhead

I’ve just got round to reviewing and processing photographs I took at Stourhead Gardens in October. The gardens were planned and built over a 40 year period in the mid-late 18th century by the Hoare family and are arranged around an artificial lake. Neoclassical buildings a grotto and follies are carefully located in this fascinating landscape. As you walk around the lake the vista is constantly changing, as you see the landscape from new angles, and of course so is the light. For photographers, it is endlessly challenging to try and capture it. But the best time of year to visit is the autumn when the colours of the trees are at their best. My visit didn’t quite coincide with peak autumn, but it wasn’t far off.

I have photographed this stand of trees many times and they always appear different: in some light conditions they just glow.

I really liked the dappled light beneath this old tree, but I couldn’t quite capture that elusive soft quality of the light filtering through the leaves:

I liked the circular pattern in this bush, implied by its reflection in the water.

Temple of Apollo in the background next to some of the most stunning tree colours and framed by the dark trunks in the foreground.

 

The tree on the left in the picture is a Tulip tree that was planted in 1791 and is probably my favourite tree in the gardens. I am always amazed that the people who were responsible  for planting the tree never saw it in its full glory, but they did it anyway, almost as a gift for future generations to enjoy. What beautiful legacies are we leaving for future generations?

Close up of the trunk of the above Tulip tree:

Looking across towards the Pantheon through the branches of the Tulip tree:

And finally a semi-abstract shot looking through the branches at the lake:

Autumn in Beacon Hill Wood

Beacon Wood 1

Out for a stroll on a misty afternoon at Beacon Hill Wood I was trying to capture the autumn colours before all the leaves had fallen.

Beacon Wood 5

Beacon Wood 2

Beacon Wood 7

The longer I walked, the stronger the sun became and the more it started to burn through the mist.

Beacon Wood 6

Beacon Wood 8

Beacon Wood 11

Until eventually it started to create some interesting lighting conditions which I have never shot in before.

Beacon Wood 18

Beacon Wood 12

Beacon Wood 9

Beacon Wood 10

Eventually, as I shot into the light, everything just turned into shades of sepia.

Beacon Wood 17Beacon Wood 16Beacon Wood 15 Beacon Wood 14

Beacon Wood 20

Beacon Wood 19

This was some of the most extraordinary light conditions that I can remember shooting in – and it all started off as such a dull, misty, late October afternoon.