Apeiranthos is a mountain village on the eastern side of the island of Naxos. We were a bit put off stopping there when we saw tour buses dropping people off and so we took the road down to the tiny village of Moutsouna on the east coast. I may blog about Moutsouna separately as it was such a beautiful and peaceful village. But something that day drew us back to Apeiranthos.
Wondering around the village at lunchtime, the tour buses seemed to have disappeared and there weren’t many people in the single main street, so we drifted in and out of shops, like this one with its strange horse whip:
Of course, as it was lunchtime several museums we wanted to visit were closed, until we came upon the open Archaeological Museum. We didn’t expect much: the man on the door wasn’t bothered whether we went in, it cost 1 Euro each and the museum only consisted of a single room, dusty and in need of a tidy-up. Many of the items were in glass cases with few labels, larger ones were spread around the floor.
There was a fine collections of Roman oil lamps on a table:
Some lovely pottery from 3000BC, very modern-looking, unfortunately too difficult to photograph; weapons including obsidian blades and spearheads; bronze tools; and a huge stone bowl:
It took me a while though to spot some of the museum’s most remarkable objects. Remarkable because so unexpected. They are a series of stick men and animals carved on stone. These petroglyphs were discovered in 1962 by the man who started the museum, Mikhalis Bardanis. He found them on a hill called Koryfi t’Aroniou in the south east of Naxos and they date between 2700-2200BC.
I suppose what makes them so striking is the contrast with my expectations of what Greek art is like: beautiful products of sophisticated craftsmanship. But these items have a directness and energy that comes from their simplicity.
This is one of my favourite carvings, three figures apparently dancing together in a circle, their arms raised and at least one of them holding some sort of stick. I say dancing, but I’m interpreting that from the character on the left with one foot in the air and the position of the central character’s body indicating that he is in motion. I wonder what sounds they were moving to. Were they celebrating something or calling on their gods or spirits to help them?
Here’s one of a figure of what looks like a deer, perhaps being confronted by a hunter:
In the next one the human figure behind the deer looks as if he is putting some sort of instrument to his mouth – perhaps calling for help with stalking the animal :
Three characters look like they are attacking a deer with spears:
Two animals together, possibly deer, though they look a bit sleeker:
Another hunting scene:
One or two animals grazing?
The next one is very unusual. It looks like two men standing on a boat with a mast on the right hand side. Or perhaps they are fighting? Very hard to make it out.
Some of them are difficult to see as they are painted on the rock surface in ochre:
There are also carvings using geometrical and other shapes:
It’s all very intriguing and the museum has no other information to help us make sense of these carvings. I would love to know more about the site they came from and what they signify.
Aperiranthos is a very attractive village and it’s not surprising that it gets so many visitors.
We stop off at a kafeneio for a fresh lemon juice and that’s when I spot these two gentlemen:
Looking back from high up on Mt Zas at the village of Filoti: